Albumblatt - No. 11 from Twelve Childrens Pieces Op. 31

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The list below is an attempt to complete the list of Chopin's compositions, genre by genre. For each genre, the opus number, key of the work and composition year together with possible necessary additional information are included. The opus number 1 to 65 was published during the lifetime of Chopin. On his deathbed, he asked that all his unpublished manuscripts to be destroyed, but that wish was not honored, and in his mother and sisters asked Julian Fontana, Chopin's friend and amanuensis, to select from among them works that he considered worthy and edit them for publication.

He selected twenty-three piano pieces, which he grouped into eight opus numbers Op. These works were published in The unnumbered posthumous works were discovered and published by different organisations and persons after the date of My list gives a total number of which is more than offical lists. The reason is that I include works produces from weak sketches that have been published in very recent time.

Works that are unknown to the majority of people. Feel free to contant me at robert at pianosociety.

Albumblatt - No. 11 from "Twelve Children's Pieces" Op. 31 scored for Piano Solo

I remember an old book I read where the writers friend during a meeting with fellow lovers of Chopin's music spontaneously called out "All Beethoven's Sonatas for another Chopin Ballade". That should say it all. Chopin's first Ballade took him a great effort to produce and occupied him, on and off, for two years.

In Chopin's Ballades, control and deployment of passion in their combination of immediacy and inner logic show us not once but repeatedly how art derives order from chaos. Ballade no.


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It reveales his youths ambitions to compete with these days composers in every important genre. Soon he realised that his destiny was aimed for piano compositions and with the exceptions for the piano concertos, the chamber work listed here and the 4:th Sonata in op. Chamber no. The creative stimulus is the individually shaped hand, with its arrangement of muscles and tendons. In essence, it is the mechanical difficulty that directly produces the music, its charm and its pathos.

Etude no. But when you play them like the greatest music in the world it's hard not to believe that the music actually is the greatest in the world, or in any event so fine as to make no difference. Impromptu no. Chopin did, of course, not invent the Mazurka form.

Album Leaf, Op.31, No.11 -- piomerhase.ml

However, it was he alone who put the Mazurka on the public stage and refined it into the highest art of music. In his Mazurkas, you get to know the very soul of Poland and Chopin never forgot his home land or the poor farmers singing the Mazurkas during the time of harvest. Chopin started his composing with a Polonaise and ended with a Mazurka, thus closing the circle. Mazurka no. Arthur Loesser called it "a masterpiece in its way. A Bolero in C major, Op. Chopin turns this Spanish form into a rather Polish-sounding affair. The Tarantelle in A-flat, Op.

Miscellaneous no. Albumblatt: E-major Miscellaneous no.

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Contradance: Gb-major Miscellaneous no. Galup Marquis: Db-major???? Contrabass part to a 3-part Canon: E-major Miscellaneous no. Cantabile: Bb-major Miscellaneous no. Canon: F-minor Miscellaneous no. Fugue: A-minor Miscellaneous no. Bourree 1: A-major Miscellaneous no. Bourree 2: G-major Miscellaneous no. Though Field was the inventor, it is still Chopin who took the name and the general concept of a dreamy melody over a broken chord accompaniment, relying on liberal use of the sustain pedal and the offset of a contrasting middle section before a reprise of the opening material and made it famous on the general scene.

Lyrical, poetical and dreaming substance before virtuostic artistics and reality. Nocturne no. Both of them, written before his st birthday, are magnificent work from his young genious. To borrow a favourite phrase of Mozart's, they must seem to the listener "to flow like oil". These are the fundamental of piano concertos, virtuoso show-pieces of unprecedented pianistic resource, replete with exquisite shafts of melody and harmonic colouring and overflowing with emotional nuances from the subtle and poigant to the thrilling and fiery.

Piano Concerto no. Chopin got it from his father, the dance, in its modern manifestation, from its godmothers; three French princesses of the th century who married successive Polish kings. Chopin's first composition was a Polonaise, his last a Mazurka, closing the circle and few have achieved greater or more lasting popularity than the mature Polonaises as his op.

Polonaise no. Edited by Franz Beyer. Unmarked string part. Edited by Egon Voss. Pages: XII and Study Score. Henle Study Scores. Pages: VI and Study score paperbound. Arranged by Helmut Brauss. Pages: XI and Strings cello solo Violoncello solo Composed by Max Reger Edited by Wolf-Dieter Seiffert. With marked and unmarked string parts.

It is amazing how people get away with derogatory remarks about the German composer Max Reger. He is said to have been a nasty piece of work, a glutton and argumentative. That in itself is not only unfair to Reger but unfair to Bach who must rank as one of the greatest composers of all time. Reger had unsurpassed technical skills in every aspect of music, an enviable sense of form, a clarity of texture which was never eccentric, superb orchestration and, while his piano music was not virtuosic like Liszt , it is very appealing.

One such work is his Violin Concerto Op which he described himself as a monster. Another monster is the Sinfonietta. Why did he not call this a symphony? He was a truly brilliant pianist and organist as well as a deservedly admired teacher and a highly competent composer in all forms except opera and other stage works.

Even if that were true, it is a result of the natural progression of the music; his music is not complex just for the sake of it. Once I mentioned his extraordinary gift of counterpoint to a well-known British writer of CD sleeve notes who regards himself as an expert on British Music. He did not even know what counterpoint was. His first lessons were from his parents. His brother, Theodor, was born in February but died after a few months.

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His sister, Emma, was born on 13 April and died in It caused Reger isolation, depression and a reliance on alcohol. It was another Reger work admired by Richard Strauss. Reger was in great debt and bad health and required two operations on an ulcer on his neck. He was dismissed from military service. The following year his parents abandoned him n the excuse of his megalomania. His sister Emma tried to take her unkempt brother back to the family home. His health is further damaged by both nicotine and alcohol and the ulcer needs another operation but he did spend time clearly his debts.

His Cello Sonata no 2 has no success and is dismissed as too much like Brahms.

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Despite all the unfair criticism bestowed upon him he was befriended in Munich by the composer, Max von Schillings. In he married a divorced Protestant Elsa von Bercken and, as he was a Catholic, he was excommunicated. Life was never easy for Reger. His organ work the Inferno Fantasia is a truimph. The constant travelling between his joint positions took a heavy strain on him and, with his alleged drinking and overeating, he died of a heart attack on 11 May Anonymous not verified.

Mon, Max Reger. Birth Wednesday, March 19, Groupes Germany. Romantic composers. Death Thursday, May 11, Composition list Click a category to see all compositions of Max Reger in that category. Click a composition title to see more detailed information.