Modalogy: Scales, Modes & Chords: The Primordial Building Blocks of Music
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Piano Rootless Drop-Voicing s. Drop-Voicings are presented to the jazz pianist in the context of both major and minor rootless progressions, with their altered dominants, in all twelve keys. Chromatic Cube Guitar Fingerings Poster.
Modalogy - Scales, Modes & Chords
A study in four-string instruments tuned to fourths. For all bassists.
Chromatic Cube Bass Fingerings Poster. Mel Bay Jazz Scales for Guitar , p. Complete Idiot's Guide to Solos and Improvisation , p. Jazz theory and improvisation. Musical scales list. Major Minor Chromatic. Modes in Western music. Dorian Phrygian Lydian Mixolydian.
Modalogy by Jeff Brent and Schell Barkley - Book - Read Online
Hypodorian Hypophrygian Hypolydian Hypomixolydian. Categories : Bebop Heptatonic scales Jazz terminology. Hidden categories: Wikipedia articles that are too technical from May All articles that are too technical.
Modalogy begins, well, at the very beginning, with a look at some basic laws of physics involving intervals and the overtone series. Through a step-by-step process, the authors go on to trace the evolution of the pentatonic scale, major scale, modes, and ultimately all of the scales commonly employed by jazz musicians.
Throughout the discussion, they make it clear that all scales yes, even symmetrical scales—and there are more than you think! The advantage to examining a scale in terms of its derivation and component parts is that you gain a basic understanding of its inherent characteristics and why it behaves the way it does.
The authors elaborate on this as they discuss the cadences and progressions of the various modes one-by-one. We may know from experience that bII-i cadences are effective in Phrygian modes, while bVII-i cadences work well in Aeolian modes, but few of us have explored the reasons why.
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The section on The Chromatic Modes is challenging, but also fascinating and worth delving into. This book has been carefully thought out, and explores musical relationships that many of us never dreamed were possible. Few individuals, including musicians, take the time to discover or appreciate the innate mathematical beauty of how music is put together.
Although some will read the volume cover-to-cover not at one sitting!
Scales, Modes & Chords: The Primordial Building Blocks of Music
The copious appendices cover a broad array of topics with clear tables and charts. If your approach to music theory is, I know what works, but I want to know why and what else I might explore, then this is the book for you. The first overtone is 2X the original cycles per second. Doubling the Hz results in the same note, but an octave higher, ie. A Hz. The next is 3 times the original fundamental frequency. This results in Hz - E the fifth. Due to E being an even multiple of an A whichever A you care to choose - , , , , etc these two notes are clearly consonant with each other.
Note that the relationship between E and A is the interval of a perfect fourth. Intervals of both a fourth and a fifth either above or below a given fundamental note are completely consonant with that central note. Using the knowledge that 4ths harmonize either up or down, it is a simple matter to expand that formula to the.